• Bride and groom portrait showing a before-and-after color grade with Chroma Cine LUTs for Canon C-Log 2
  • Wedding portrait showing a before-and-after grade with the SGNTR look from Chroma Cine LUTs for Canon C-Log 2
  • Wedding ceremony moment showing a before-and-after grade with the FLMC look from Chroma Cine LUTs for Canon C-Log 2
  • Lakeside wedding portrait showing a before-and-after grade with the ARCHV look from Chroma Cine LUTs for Canon C-Log 2
  • Portrait frame graded with Chroma Cine LUTs for Canon C-Log 2, as featured in our Canon C80 review
  • Canon C80 test frames graded with Chroma Cine LUTs for Canon C-Log 2, as featured in our C80 review
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LUTs

Chroma Cine LUTs

A cinematic LUT collection built for Canon C-Log 2, with three signature looks and 27 flexible variations.

  • Optimized for Canon C-Log 2 footage
  • 3 signature looks, 27 total variations
  • No transform LUT required
  • Adaptable to Sony S-Log3 Cine
  • Natural skin tones + rich, cinematic color
  • Premiere Pro, Final Cut Pro, Resolve + more

From Log to cinematic, in seconds.

The Foundation

Curated Filmic Color, Simplified.

Chroma distills the color behind our wedding and commercial work into three cinematic looks refined over years of real-world filmmaking.

Built specifically for Canon C-Log 2, each look is designed to deliver rich color, natural skin tones, and dimensional contrast without an additional transform LUT.

Vic standing in an alley wearing a jean shirt and white pants, shown in ungraded Canon C-Log 2 footage before applying Chroma Cine LUTs
The Looks

SGNTR 01

Bright, fresh, and vivid — SGNTR delivers crisp colors that pop without ever feeling harsh. Lush greens and naturally rendered skin tones create a lively, modern aesthetic with unmistakable cinematic polish.

Wedding portrait in Canon C-Log 2 before the SGNTR 01 grade is applied
C-Log 2
SGNTR
The Looks

FLMC 02

Warm, rich, and nostalgic — FLMC offers a refined cinematic tone with soft glow and gentle contrast. Its natural warmth makes it especially suited to emotional narratives and interior scenes.

Wedding portrait in Canon C-Log 2 before the FLMC 02 grade is applied
C-Log 2
FLMC
The Looks

ARCHV 03

Subtle, balanced, and timeless — ARCHV channels classic film-stock palettes with blue-tinted shadows, rosy highlights, organic skin tones, and earthy contrast for an understated, heritage-inspired finish.

Bride getting ready in Canon C-Log 2 before the ARCHV 03 grade is applied
C-Log 2
ARCHV
Beautiful By Default

3 Looks. 9 Variations. 27 LUTs.

Each Chroma look includes nine variations, letting you move between standard, muted, vibrant, and lower-contrast treatments without changing the character of the original grade.

Base

The look as originally designed.

Muted / Vibrant

Lower or higher saturation.

-1 Contrast / -2 Contrast

Softer contrast levels for each look.

Wedding ceremony frame comparing nine Chroma Cine LUT variations across saturation and contrast levels for Canon C-Log 2
Easily Adaptable

C-Log 2 Native. S-Log3 Cine Friendly.

Chroma can also adapt beautifully to Sony S-Log3 Cine with simple exposure, white balance, and contrast adjustments.

Beyond the LUT

Apply It. Hit Export.
Or Take It Further — If You Want.

Chroma is built to give you a polished result with minimal adjustment. If you want to take the image further, this in-depth tutorial breaks down the scopes, curves, masks, HSL adjustments, and other techniques we use in our own grades.

What’s Included

27 Chroma Cine LUTs

Three signature looks — SGNTR, FLMC, and ARCHV — with nine variations of each.

Quick Start Guide

Everything you need to get up and running with Chroma.

Royalty-Free License

Unlimited use in your own personal and commercial projects.